Attitude Art: From Marcel Broodthaers to Selcuk Mutlu: Contemporary Art in the Wallonia-Brussels Federation
Communaute Francaise de Belgique, 2011. Softcover. More
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Communaute Francaise de Belgique, 2011. Softcover. More
Grafis Industrie Grafiche, 1977. Soft cover. Second edition. Spine is sunned and cracked, but secure. Cover is worn, particularly along edges. Inside is tanned, but clean and unmarked. More
University of California Press; Berkeley Art Museum and Pacific Film Archive, 2004. Hard cover. Jacket is rubbed and lightly worn along edges. Bottom edges of cover are lightly worn. Small chip at midpoint of bottom edge of back cover with cardboard exposed. Binding is tight. Pages are yellowed around edges..... More
IVAM Institute Valencia d'Art Modern, 2006. Hard cover. Cloth, 31 cm, 299 pp, color illustrations throughout. Exhibition catalog. Text in Spanish and English. Jacket is lightly worn along edges. Cover corners are lightly bumped. Spine is shaken, but binding is secure. Inside is clean, bright, and unmarked. More
Libreria Salimbeni, 1981. Softcover. Facsimile. Mild shelfwear. More
Batchworth Press. Hard cover. Spine is cracked. Cover is worn and slightly foxed. Inside is tanned but clean and unmarked. More
Asia Publishing House, 1961. Hard cover. Cover is rubbed and stained. Top corner of front cover is lightly bumped. Spine is bumped and cracked, but binding is secure. Pages are lightly tanned, but otherwise clean and unmarked. More
New York: The Ronald Press Company, 1957. Hardcover. Book is faded, and jackets is seriously worn, with an enormous tear. Protected by mylar, without which the cover would fall away. More
Rizzoli, 1989. Hardcover. Some foxing on the top edge of text block. Dust jacket spine is sunned. More
Citadelles & Mazenod, 2018. Hardcover. In nice die-cut slipcase. More
University of Chicago, 1993. Hardcover. More
The Easton Press, 2004. Hard cover. Collectors edition. Leather bound with gilded edges. Cover is in excellent condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked. More
Clarendon Press, 1992. Soft cover. Cover corners and top and bottom edges of spine are lightly rubbed, but binding is tight. Previous seller's price stickers on back cover. Inside is clean and unmarked. More
Yale University Press, 2013. Hard cover. Jacket edges are very lightly worn. Cover is in good condition, apart from light shelf wear. Binding is tight, and inside is clean and unmarked. More
MoMA, 2019. Hardcover. New. More
V&A Publishing, 2020. Soft cover. First edition. Signed by artist. Catalog published to accompany the exhibition "Filthy Lucre: Whistler's Peacock Room Reimagined" at the Victoria and Albert Museum, London, from January 25 to May 3, 2020. Includes a bookmark inscribed by Darren Waterston as well as his business card... More
Antique Collectors' Club, 1994. Hard cover. Revised edition. Jacket is slightly worn, particularly along edges. Bottom edge of back jacket is torn along spine. Spine is lightly shaken. Spine edges are bumped. Cover edges are gently worn. Inside is clean and unmarked. More
Los Angele: The Getty Conservation Institute, 2004. Hardcover. Cloth. More
Pennsylvania State University Press, 2008. Hard cover. Jacket is slightly worn, particularly along edges. Inside is clean and unmarked. More
Art Asia Pacific, 2021. Softcover. More
Museum of Modern Art, Oxford, 1979. Soft Cover. From the library of art historian Peter Selz. Top edge of front cover is lightly bumped. Corners of covers and spine are lightly rubbed. Binding is tight. Bottom corner of cover and pages is lightly bumped. Ink inscription from Peter Selz on..... More
Cambridge University Press, 2001. Hard Cover. More
City Lights Books, 1982. Softcover. 2nd edition. Some shelfwear. More
Yale University Press, 1993. Hard cover. Jacket is lightly shelf worn, particularly along edges. Cover is in great condition. Spine is cracked, but binding is secure. Ink signature from previous owner on back of front free endpaper. All other pages are clean and unmarked. More
Yale University Press, 2008. Hard cover. Jacket spine and edges are sunned, but legibility is not impacted. Bottom of jacket spine is torn. Jacket is worn, especially along edges. Spine is cracked but secure. Text block and inside edges are tanned, but legibility is not impacted. Inside is unmarked. More