The Journal of Decorative and Propaganda Arts #10, Fall 1988
The Wolfson Foundation of Decorative and Propaganda Arts, 1988. Softcover. Spine sunned. More
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The Wolfson Foundation of Decorative and Propaganda Arts, 1988. Softcover. Spine sunned. More
Publishers-Hall Syndicate, 1974. Soft Cover. Staple-bound as issued. Cover is lightly soiled and tanned. Corners are rubbed. Inside is tanned but is clean and unmarked. More
Bauhaus Archiv, 1986. Hardcover. In German. Small scuff inside front cover. Dust jacket mildly shelfworn. More
William Morrow, 1970. Hardcover. display ledge. Some shelfwear. More
Philip Steadman, 1967. Soft cover. Cover is lightly tanned and worn along edges. Top edge of spine is creased, but binding is secure. Pages are lightly tanned, but otherwise clean and unmarked. More
Philip Steadman, 1968. Soft cover. Cover is lightly tanned and worn along edges. Light creases and scuff marks on front and back covers, not affecting legibility. Pages are lightly tanned, but otherwise clean and unmarked. More
Frank, 2021. Softcover. More
MIT, 1989. Hardcover. Covers sunned along edges.Dust jacket spine sunned. More
Thames and Hudson, 2022. Hardcover. New. More
Paris: Dupuis, 1981. Roger Leloup. Hardcover. Glossy hardcover surface, compact, clean binding and crisp interior. Hard to find in this condition of this series. Slight corner bumps due to storage. More
Paris: Dupuis, 1984. Roger Leloup. Hardcover. Solid binding, shining crisp cover and clean interior. Rare in this state. French Text. More
Rubbergloves, Misplaced Semicolon, 2004. Soft. Drawer 6. Event poster for the music venue Rubbergloves in Denton, Texas. Hand numbered 28 of 60 copies made, publicizing upcoming performances from Don Caballero, An Albatross, and more. Stamps on the back with contact information for the artist (Missplaced Semicolon). 15 x 20.5 inches..... More
Emigre Graphics, 1986. Softcover. Complete. In a folded cardboard box. Exterior sticker still intact, but it has been opened. One front cover is dog eared. More
Museum of the Surreal and Fantastique, 1982. softcover. Bin 2. Inscribed by the artist on the cover. Mildly roughed-up and water damaaged. More
2004. Hard cover. Very good, clean condition. Texturized color blocking on covers. More
Harper & Brothers, Publishers, 1960. Hard cover. Jacket rubbed and tanned, some wear and chipping on edges. Top edge of boards and pages foxed, not visible inside. Lightly tanned inside, otherwise clean and bright with good binding. More
Gingko Press, 2006. Hardcover. First edition, third printing. With poster. More
Edinburgh University Press, 2001. Soft cover. Cover is lightly worn along edges. Binding is tight and inside is clean and unmarked. More
Harry N. Abrams, Inc., 1979. Soft cover. Front cover is rubbed. Back cover is tanned around the edges. Binding is tight. Foxing and water stains on top edge of text block, stains not visible on pages, but foxing is visible on inside covers, title page, and elsewhere in the margins..... More
Steven Peacock, 1986. Soft cover. Volume 3, number 5 only. Limited edition of 100 copies printed. Copy #12. Collection of collage artwork plates contained in clear plastic folder. Folder is torn along spine, but remains intact. Plates are lightly worn along edges, but otherwise clean and unmarked. More
Welcome Books, 2016. Hard cover. Cover corners are bumped. Edges of spine are worn and bumped. Spine is shaken, but binding is secure. Author's personalized ink inscription on title page. Inside is otherwise clean, bright, and unmarked. More
Schwarzkopf & Schwarzkopf Verlag, 2000. Soft cover. In German. Clean inside other than small stain on lower corner on last 8 pages only. More
Igarashi Studio, 1988. Soft cover. Limited edition of 2,000 copies printed. This book was specially made for the 1988 International Design Conference in Aspen with the cooperation of Zanders Feinpapiere AG and Mitsumura Printing Co. Cover is slightly yellowed, but text is legible. Inside is clean, bright, and unmarked. More
Milwaukie, OR: Dark Horse Books, 2009. Tara McPherson. Hardcover. Top right corner on the board has slight--almost invisible tear mark; clean interior. More
Kunstraum Munchen, 1985. Soft cover. Cover is lightly rubbed and worn along edges. Cover is chipped and detached from text block, but remains attached to back cover. Spine is creased, but binding is secure. Inside is clean and unmarked. More